Album Rating: C+ |
There’s plenty of guitar tapping abound, there’s an overarching sense of atmosphere that pervades Infinity..., and there are plenty of unmemorable lyrics from vocalist Jake Snider. What else could possibly be missing from a Minus the Bear release? It really is a shame that Snider doesn’t put forth more of an effort here, because there’s nothing more frustrating than one crewmate not quite holding his weight. His performance dilutes the music’s momentum, and this can be best seen in “Lies and Eyes” where Snider mumbles the same note repeatedly during the verse, where the track is supposed to be building up some sort of emotional tension. Well, deliberately anyhow. If the lyrics were worth it I may be more lenient, but at this point it’s futile to expect anything more than seduction schemes, haphazardly strewn together to the point of queasiness. It’s stupid of me to expect anything more, granted, but there’s a realist inside me that’s expecting more from the same group that concocted “Throwin’ Shapes” and “Hey! Is That a Ninja Up There?.”
Infinity Overhead is exactly the album that you and I expected it to be, and that should come as no surprise to anyone who’s been paying attention. Minus the Bear aren’t known for their innovation but rather their startling consistency, and in this regard the indie rock outfit have done no wrong with their latest release. However, should we let ourselves be complacent towards such a promising group, or should we hold our standards a wee bit higher as almighty “music reviewers?” I don’t know what the hell the answer to that question may be, but regardless I still have a few reasons to enjoy Infinity Overhead. It’s everything that one would expect from the group - love, sex and an overwhelming sense of nonchalance.
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Tracklist:
1. Steel and Blood
2. Lies and Eyes
3. Diamond Lightning
4. Toska
5. Listing
6. Heaven Is a Ghost Town
7. Empty Party Rooms
8. Zeroes
9. Lonely Gun
10. Cold Company
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