Pentimento/Young
English – Split
This is a very exciting release for these two young NY
emotional punk bands. Both Pentimento’s Wrecked, and Young English’s I Hate My Friends showed promise, but
left room for improvement in the future.
Simply calling the four new respective tracks from each band an
“improvement” would be an understatement, and a rather large one at that. The songwriting maturity featured on each
half of the split is unrivaled by other bands in the genre. Each side is littered with unforgettable
moments, like the melodic “breakdown” (if you will), in “No Apology,” and the
infectious hook in “So Long, Connecticut.”
Rise and Fall – Faith
Stellar releases like Loma Prieta’s I.V. and Narrows’ Painted
have made Jacob Bannon’s label, Deathwish, a hot topic of conversation this
year within the hardcore scene. Rise and
Fall’s latest release, Faith, is just
more evidence of the label’s diversity and overall quality. Relentless at times and groovy at others, Faith demonstrates a perfect balance of
speed and tastefulness. For a punishing hardcore perspective
on humanity’s incessant woes and struggles, look no further.
Daytrader –Twelve Years
Though not due to be out for another month, Daytrader’s Twelve Years is sure to be one of 2012’s
“must hears.” The New York band,
comprised of ex-Crime in Stereo members, rejuvenated pop punk last year with
their release of the Last Days of Rome EP,
and expectations (and skepticism) only grew upon word of their signing to Rise
Records. “Firebreather,” a track taken from
the upcoming album, was released last week, exhibiting a mature and polished
sound, as well as the band’s affinity for strong lyricism. The song hints at a very logical progression
in sound from each of Daytrader’s previous releases, and if the rest of the
album follows suit, Twelve Years will
truly be an exciting release.
Old Wounds – Old Wounds EP
Complete with an outrageous (-ly awesome) cover of Jefferson
Airplane’s “White Rabbit,” Old Wound’s latest EP is another solid addition to
their discography. Changes such as
muddled production and sludgy, chaotic riffs make this release grittier and
darker sounding than Terror Eyes. Additionally, many of the guttural screams
have been replaced with shrieks and yells, giving the EP a “punkier” vibe. Although only three tracks in total, the two originals
on the EP are arguably the band’s best work to date and will undoubtedly leave
the listener wanting more heavy, crusty goodness from Old Wounds.
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